Most of the key terms in bold found in each design chapter, directing, etc. postPuritan...page 177 Theatrical Worlds is a practical and effective option for Introduction to Theatre and Theatre Appreciation classes. Attention to the relationship between text and image in conveying meaning... SInce many students now are imered in "pop culture," with little history of past traditions, "Theatrical Worlds" is relevant in it's delving into the origin of theatre, the various forms of acting traditions, and varied cultural differences in theatre, It is relevant in its offering of design and technical practices as well as offering practical information about being a participant in the theatre. I find it would be essential to include a section on African American Theater. Margaret R. Butler's "The American Musical" and Michelle Hayjord's "World Theatre" are well-researched and well-crafted chapters that even students with more experience and education in theatre might learn much from. Seems correct. It tends to get bogged down in minutiae at times (it doesn't seem necessary to list every type of lighting instrument of lighting board in use). 8 THEATRE PROJECTS. THINK Theatre Dec 27 2011. by Mira Felner. Since commedia dell'arte is known for the mask work I believe offering an explanation in the way of an image or text would better describe the art form. It felt like the text was quick to move on from these sensitive topics. It does not strip away the feeling of magic but to add wonder for the artistry that make a production work well. The single chapter covering history and criticism, the meaning and uses of theatre, and the nature of art, is inconsistent with the separate chapters afforded to each of the production areas. I find the interwoven interviews and highlighted content sections particularly useful for assigning smaller sections of content. I found the file slow and unwieldy. Attention to the relationship between text and image in conveying meaning as well as interest is needed, especially as an online resource. Potentially very useful in assigning shorter readings. This section is a digressive and rambling discussion of theatrical history and context that seems to have no fundamental idea of how to organize itself. One minor but important change should be made to the inset box called "Cross-Dressing in Performance: Dan, Hijra, Takarazuka" in the World Theatre chapter." The modularity of the text is its strongest feature. Every theatre instructor and/or practitioner will surely ask why these subjects (Genre, Shakespeare, Musicals, and World Theatre) as opposed to other pet topics. I think the design sections will be useful for many years, although the sections on technology will need to be updated as that changes.The Musical Theatre and World Theatre sections will need to be updated as time passes. Given the daunting task of covering all aspects of theatre, the book attempts to cover an impressive range of topics. The text on the whole is very modular and easy to break up into smaller assigned readings. I give high points on the organization based on that alone, not on what I perceive as components important to include. But the explanation of theme is not clear. 10th Edition. Overall, good. Explanations of jargon/terminology in the field are adequate. Reviewed by Eric Prince, Professor, Colorado State University on 12/5/16, The book is in need of an index and a glossary with key concepts and terms being clearly explained. actormanagers....Directoring page 65 This leads to the lack of any unifying voice and vision, and some needless repetition in places. My commitment to providing my students with materials that do not place an unnecessary financial burden on them is complicated by the limited number of resources available within my discipline. The work on Stanislavski, DelSarte and Quintilian were rich and yet concise. It does a decent job of being inclusive but it could be better. For an undergrad, I would say some chapters are more accessible and easy to read than others. Paperback. Who was Shakespeare? Considering the breadth of topics, depth must be sacrificed. They do not cite any scholarly sources or hyperlink to any outside authorities. read more. Overall the book is an enjoyable read and includes material that I will use in classes. The later chapters seemed to be more free of these “script” errors. The book is in need of an index and a glossary with key concepts and terms being clearly explained. The musical theatre chapter is the most behind, as it is missing several groundbreaking productions from the past few years, but that can be supplemented - and it's a problem in many theatre classes that great art keeps being produced that textbooks struggle to keep up with. Finally, a glossary (or at least an index) is definitely missing from this introductory book. Text is consistent in terms of terminology and overall structure and framework. The inclusion of cultural sensitive issues in present in theatre in general. Shakespeares...page 182 While it does not have a glossary or index, it is searchable, which is a plus. There are a lot of proofreading errors and even some fairly basic grammatical errors. Considering the number of authors that contribute to the text, the consistency of terminology is decidedly strong. x�u��J�@F���2)tr�t~,�.�DQVpQ\Ita*ƾ?Nj�)����9ȶX��*�-@�56E�)����&� ��F���R08��J���Τx�e��w6A��a���������m�r�V�S7R��� 5I��t���� �'�;)ʨ�'�q���T�K���h�K��9]�uWO�����j�/��6���2�W����k>�'dUs�=�w�Z~XWv The topics flow well and are presented in a logical, clear fashion. 6 Varieties of Drama Ch. No scholarly sources, references, footnotes, or works cited are listed. The Special Topics section feels a bit odd in its assigned divisions, and the spaces and types of theatre would have been better if they had come earlier in the book. The text touches on many subjects within the field of theatre, to the extent that it isn't clear what purpose this book serves. I didn't have problems, but I downloaded it to my iBooks where it behaved like all of other texts. The language used in "Theatrical Worlds" is easy to understand and accessible for most high school and nearly all college students. Lucidity of prose varies from author to author (there are nine contributors). Nonetheless, the authors rarely move beyond canon practices (i.e. CDN$ 25.74. This text is probably most useful when divided for different courses' purposes. The inclusion of a subsection on sound design in the set design chapter is one example of how some subsections feel wedged into place. That might cover it better then. The book is usually consistent in approaching its subject matter. As one might expect in an intro text for non-majors, part two is the most comprehensive, probably because it best reflects the authors' primary interests. Consistency – 3- I do sense that different people wrote the different chapters and I felt the loss. More pics and play scenes would be better. It is only partially comprehensive, Comprehensiveness – 4 - As another reviewer noted, the fact that the “Writer” is not covered here is big lack. Not the best introduction to the power of web interface, or integrated graphics and online texts. %���� The chapter on World Theatre includes information that many texts on this subject would likely not include, which is admirable. Wikipedia does a better job of documenting source material. A huge... The book features several authors as it is an edited collection, but it still remains fairly consistent in terms of reading level and overall voice. The text appears to be accurate and error free for the most part, with one obvious oversight on page 43, where Oedipus is given to be both the son of Laius and Jocasta, and "not the son of King Laius.". The first chapter could easily become three or four if the sub-sections were expanded to match the level of detail in the production chapters and elements from the special topics chapters were integrated into the general discussion. Updates should be relatively easy to implement under the chapter headings and sections defined in the book. It is unclear who this section is targeted towards - it is not detailed enough for an acting or voice class and too detailed for an introductory course. Given the tremendous cultural changes and historical moments of the last five years, "Theatrical Worlds" would benefit from revisions and updates, including a nod towards the #metoo movement and Black Lives Matter, the success of "Hamilton" and the Broadway shutdown of 2020. stream Aside from the "transgender" issue mentioned above, this book includes a great deal of diversity. It did not seem to have a logical order. Other than that I think the organizational flow is very good. The topic is so vast.... but it does a solid job at covering the basics for an introductory student. Furthermore, I appreciate that the book includes a array of authorial voices--I think this adds to the richness of the material. This could make it very relevant to a variety of different courses. Consistency is affected by having nine contributing writers authoring non-collaborative chapters on their own particular specialism. Theatrical Worlds does not advance in any discernible way on such books and despite commendable intentions falls short in some significant ways. The writer is certainly equal in importance to actor and director./////I very much liked the treatment of “Actor”. read more. ‘Mapping Reality’, which sets out the premise or overview of the book is a rambling digression across definitions of fine art, aesthetics, the ‘qualities’ of theatre, and fails to set out any clear logic or map of the territory the reader is to explore. And methods of each chapter stands complete on its own, and sometimes difficult to follow how the material hand. 7 times as theatre-theory ) avg … theater textbooks Appreciation classes these books complete... Characteristic does not go indepth enough to cause concern it engages and explores contain offensive. Format supports managers in list planning, performance monitoring and demand-capacity matching considering... 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